[alife] Final CFP. Evomusart'05

[Titus Brown]

-------------------5 NOVEMBER DEADLINE IS APPROACHING!!! 
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CALL FOR PAPERS EvoMUSART 2005

3rd European Workshop on Evolutionary Music and Art

30 March - 1 April 2005, Lausanne, Switzerland
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Submission Deadline: 5 November 2004

EuroGP website:  http://www.evonet.info/eurogp2005
EvoMUSART2005 website: 
http://evonet.lri.fr//eurogp2005/index.php?page=evomusart
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INTRODUCTION
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The application of Evolutionary Computation (EC) techniques for the 
development of creative systems is a new, exciting and significant area of 
research. There is a growing interest in the application of these 
techniques in fields such as: art and music generation, analysis and 
interpretation; architecture; and design.

EvoMUSART 2005 is the third workshop of the EvoNet working group on 
Evolutionary Music and Art. Following the success of previous events, the 
main goal of EvoMUSART 2005 is to bring together researchers who are using 
Evolutionary Computation in this context, providing the opportunity to 
promote, present and discuss ongoing work in the area.

The event includes a Exhibition and Demonstration Session, giving an 
opportunity for the presentation of evolutionary art and music in an 
informal environment. The submission of works for the demonstration 
session is independent from the submission of papers.

The workshop will be held from 30 March to 1 April 2005 in Lausanne, 
Switzerland, as part of the EuroGP&EvoCOP2005 event.

Accepted papers will be presented orally at the workshop and included in 
the EuroGP2005 conference proceedings, published by Springer Verlag in the 
Lecture Notes in Computer Science series.

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TOPICS OF INTEREST
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The papers should include original and unpublished contributions related 
to the use of EC in the scope of the analysis, generation and 
interpretation of art and music. Topics of interest include, but are not 
limited to:
- Generation
	o Evolutionary Art . Systems that create drawings, images, 
animations, sculptures, poetry, text, etc.;
	o Evolutionary Music . Systems that create musical pieces, sounds, 
instruments, voices, etc.;
	o Robotic Based Evolutionary Art and Music;
- Analysis and Interpretation
	o Systems that resort to EC to perform the analysis of image, 
music, sound sculpture, or some other types of artistic object;
	o Systems in which the analysis of artworks is used in conjunction 
with EC techniques to produce novel objects;
- Computer Aided Creativity
	o Systems in which EC is used to promote the creativity of a human 
user;
	o New ways of integrating the user in the evolutionary cycle;
	o Collaborative distributed environments;
- Theory
	o Surveys of the current state-of-the-art in the area; 
identification of weaknesses and strengths; comparative analysis and 
classification;
	o Validation methodologies;
	o New models designed to promote the creative potential of EC;
	o Aesthetics, emotional response;
	o Studies on the applicability of these techniques to other 
creativity-related areas;

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SUBMISSION PROCEDURE
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Submissions should be a maximum of ten A4 pages and they should be sent in 
postscript or PDF format. It is advisable that the papers conform to the 
Springer Lecture Notes in Computer Science format.
The reviewing process is double blind. Authors should remove their names 
from submitted papers, and should take reasonable care that their identity 
is disguised. References to own work can be included in the paper, but 
should be referred to in the third person. It is very important that the 
e-mail accompanying submission should state all the authors, including all 
their e-mail addresses. To avoid problems with electronic delivery, papers 
should be e-mailed to both of the program chairs. A notification of 
receipt will be e-mailed a few days after the deadline.

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IMPORTANT DATES
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Submission: 	5 November 2004
Notification: 	10 December 2004
Camera ready:	14 January 2004
Workshop: 	30 March - 1 April 2005

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WORKSHOP CHAIRS
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Juan Romero
University of A Coru?a, Spain
jj at udc.es

Penousal Machado
CISUC . Centre for Informatics and Systems, University of Coimbra, 
Portugal
ISEC . Instituto Superior de Engenharia de Coimbra, Portugal
machado at dei.uc.pt

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PROGRAMME COMMITTEE
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Alan Dorin
Monash University, Australia

Am?lcar Cardoso
University of Coimbra, Portugal

Anargyros Sarafopoulos
Bournemouth University, UK

Andrew Gartland-Jones
University of Sussex, UK

Bill Manaris
College of Charleston, USA

Carlos Grilo
School of Technology and Management of Leiria, Portugal

Colin Johnson
University of Kent, UK

Eduardo R. Miranda
University of Plymouth, UK

Gary Greenfield
University of Richmond, USA

Geraint A. Wiggins
University of London, UK

Hideyuki Takagi
Kyushu University, Japan

Jon McCormack
Monash University, Australia

Lee Spector
Hampshire College, USA

Luigi Pagliarini
Academy of Fine Arts of Rome, Italy
University of Southern Denmark, Denmark

Martin Hemberg
Imperial College London, UK

Matthew Lewis
Ohio State University, USA

Michael Young
University of London, UK

Paul Brown
Independent Artist and Writer
Visiting Fellow, Birkbeck College, University of London, UK

Paul Nemirovsky
MIT Media Laboratory, USA

Peter Bentley
University College London

Peter Todd
Max Planck Institute for Human Development, Germany

Scott Draves
San Francisco, USA

Stefano Cagnoni
University of Parma., Italy

Stephen Todd
IBM, UK

Tatsuo Unemi
Soka University, Japan

Tim Blackwell
University of London, UK

William B Langdon
University College London, UK

William Latham
Art Games Ltd, UK